Issue

Vol. 21 No. 1-2 (2013): Africa Media Review, Volume 21, n° 1 & 2, 2013

8 - ‘Ndezve Varume Izvi’1: Hegemonic Masculinities and Misogyny in Popular Music in Zimbabwe

https://doi.org/10.57054/amr.v21i1-2.5155
Manase Kudzai Chiweshe
Sandra Bhatasara

Corresponding Author(s) : Sandra Bhatasara

sandrabhatasara@gmail.com

Africa Media Review, Vol. 21 No. 1-2 (2013): Africa Media Review, Volume 21, n° 1 & 2, 2013

Abstract

Popular music has proved a fertile ground for the display of masculine identities, and songs have proved a ready-made arena for the playing out of these identities. This paper endeavours to offer an analysis of popular music in Zimbabwe, showing how hegemonic masculinities and misogyny are celebrated and venerated. The study uses discourse and content analysis on popular songs released in the last five years to highlight how music is a medium for normalising and transmitting masculinities and femininities from one generation to another. It highlights how popular music recreates and reinforces the perceived inferiority of women and how messages portrayed in songs mirror the dominant and hegemonic ideas about social life and sexuality. Young males and females listening to such music grow up believing that these sexual stereotypes are true. The paper concludes that, ultimately, popular culture mirrors real life and as such the masculine nature of music is one way in which sexual domination of women is celebrated and reinforced.

Keywords

Hegemonic masculinities popular music gender misogyny Zimbabwe
Manase Kudzai Chiweshe, & Sandra Bhatasara. (2013). 8 - ‘Ndezve Varume Izvi’1: Hegemonic Masculinities and Misogyny in Popular Music in Zimbabwe. Africa Media Review, 21(1-2). https://doi.org/10.57054/amr.v21i1-2.5155
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