5 - Music Scholarship at Universities and the Relevance of the Industrial Training Scheme in Nigeria
Corresponding Author(s) : Emurobome Idolor
Journal of Higher Education in Africa,
Vol. 3 No. 03 (2005): Journal of Higher Education in Africa
Abstract
1 ne neea ror 1mprovea quauty ot schotarship for the development of a nation is the desire of individuals and societies. Either due to a dwindling economy or misplaced priorities, the education sectors of African nations have been under-funded and i11 equipped, music departments included. Consequently, the endeavours of academ ics and students in music scholarship have been adversely affected. However, the music industry sector for which skilled personnel is produced boasts of updated facilities for music composition, production, education, broadcasting, advertising, publishing, performance, and technology. These resource materials are remarkably advantageous to music scholarship, particularly if the Students Industrial Work Ex perience Scheme (SIWES) is introduced in the programme of studies at all African universities. Since 1996 the Deha State University, Abraka, Nigeria bas attached students to the music industry during long vacations. The experiment, coupled with effective supervision and reports on their experience, has
achieved, amongst other intentions, a feed-back loop for research and curriculum development, and fostered an improved town and gown cooperation in musical practice. Exposure to possible job opportunities during this period has redefined students' and their benefactors' impression of music as an academic pursuit leading to improved academic per formance. lt ha:s also provided updated knowledge and skills, which hitherto were missing due to inadequate facilities in the Department.
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- Federal Republic of Nigeria (FRN), 1989, Approved Minimum Academic Stand ards in Arts for ail Nigerian Universities, Lagos: National Universities Com mission.
- Federal Republic of Nigeria (FRN), 1992, Views and Comments of the Federal Government on the Report of the Commission on the Review of Higher Educa tion in Nigeria, Lagos: Federal Director of Printing.
- Idolor, Emurobome, 1997, 'Music Undergraduates on Industrial Attachment: Fo cus on Delta State University', UNE: Abraka Music Journal, Vol. 3, No. 1, pp. 80-83.
- Idolor, Emurobome, 2001, 'Formal Education and the Development of African Art Music in Nigeria', in Omibiyi-Obidike, ed.,AfricanArt Music in Nigeria, Ibadan: Stirling-Horden Publishers (Nigeria) Ltd., pp. 135-149.
- ldolor, Emurobome, 2002, 'The Music Scholar and the Artiste: Their Functional Tasks in Contemporary Nigerian Musical Practice', Nigerian Music Review, No. 3, pp. 1-10.
- Jemerigbe, H.I., 2002, 'Restructuring SIWES to Meet Current Industrial Manpower Requirements: Employers' Perspective', Unpublished National Conference Pa per.
- Kadiri, M.T., 1985, Twenty-five years ofCentralized University Education in Ni geria, Lagos: National Universities Commission.
- Nketia. J.H.K., 1986, 'Perspectives onAfrican Musicology', inAfrica and the West: The Legacy of Empire. New York: Greenwood Press, pp. 215-253.
- Okafor, N., 1971, The Development ofUniversities in Nigeria, London: Longman. Umoh, C.S.M.O., 2002; 'Restructuring SIWES to Meet lndustrial Manpower Requirements in Nigeria', Unpublished National Conference Paper.
- Umokoro, M.U., 2001, The Performing Artist in Academia, Ibadan: Caltop Publi cations (Nigeria) Ltd.
- Vidal, 'Tunji, 2002, 'Musicology in Nigeria', Nigerian Music Review, Vol. 2 (Spe cial edition), pp. 103-1
References
Federal Republic of Nigeria (FRN), 1989, Approved Minimum Academic Stand ards in Arts for ail Nigerian Universities, Lagos: National Universities Com mission.
Federal Republic of Nigeria (FRN), 1992, Views and Comments of the Federal Government on the Report of the Commission on the Review of Higher Educa tion in Nigeria, Lagos: Federal Director of Printing.
Idolor, Emurobome, 1997, 'Music Undergraduates on Industrial Attachment: Fo cus on Delta State University', UNE: Abraka Music Journal, Vol. 3, No. 1, pp. 80-83.
Idolor, Emurobome, 2001, 'Formal Education and the Development of African Art Music in Nigeria', in Omibiyi-Obidike, ed.,AfricanArt Music in Nigeria, Ibadan: Stirling-Horden Publishers (Nigeria) Ltd., pp. 135-149.
ldolor, Emurobome, 2002, 'The Music Scholar and the Artiste: Their Functional Tasks in Contemporary Nigerian Musical Practice', Nigerian Music Review, No. 3, pp. 1-10.
Jemerigbe, H.I., 2002, 'Restructuring SIWES to Meet Current Industrial Manpower Requirements: Employers' Perspective', Unpublished National Conference Pa per.
Kadiri, M.T., 1985, Twenty-five years ofCentralized University Education in Ni geria, Lagos: National Universities Commission.
Nketia. J.H.K., 1986, 'Perspectives onAfrican Musicology', inAfrica and the West: The Legacy of Empire. New York: Greenwood Press, pp. 215-253.
Okafor, N., 1971, The Development ofUniversities in Nigeria, London: Longman. Umoh, C.S.M.O., 2002; 'Restructuring SIWES to Meet lndustrial Manpower Requirements in Nigeria', Unpublished National Conference Paper.
Umokoro, M.U., 2001, The Performing Artist in Academia, Ibadan: Caltop Publi cations (Nigeria) Ltd.
Vidal, 'Tunji, 2002, 'Musicology in Nigeria', Nigerian Music Review, Vol. 2 (Spe cial edition), pp. 103-1